预告｜“世界艺术与科技对话”音乐分会场

发布时间：2026-04-25 20:39:12 浏览量：2

根据中国文学艺术界联合会总体部署，

“世界艺术与科技对话”活动将于2026年4月27日至29日在北京举行。

活动以“演化与创生——艺术与科技的融合创新”为主题，聚焦数字智能时代艺术与科技协同发展的前沿议题。

作为本次活动的重要组成部分，

由中国音乐家协会与中央音乐学院联合主办的“世界艺术与科技对话”音乐分会场，将于4月27日在中央音乐学院举行。

中国文学艺术界联合会为本次活动指导单位。

本次音乐分会场围绕未来音乐教育、音乐大模型、智能创作、音乐感知与分析、人机协同表演、数字音乐产业等关键议题展开。大会将汇聚全球音乐人工智能领域的学术领军人物、全国音乐学院院长等专家、学者，构建跨学科、高层次的国际交流平台，推动音乐人工智能在“产、学、研、用”各环节的深度融合。

Under the overall arrangements of the China Federation of Literary and Art Circles, the Global Dialogue on Art and Technology will be held in Beijing from April 27 to 29, 2026. With the theme “Evolution and Creation: The Integrated Innovation of Art and Technology,” the event focuses on cutting-edge issues concerning the coordinated development of art and technology in the era of digital intelligence.

As an important component of the event, the Music Sub-forum of the Global Dialogue on Art and Technology, jointly organized by the China Musicians Association and the Central Conservatory of Music, will be held on April 27 at the Central Conservatory of Music. The China Federation of Literary and Art Circles serves as the supervising organization.

The Music Sub-forum will address key topics including future music education, large music models, intelligent composition, music perception and analysis, human–AI collaborative performance, and the digital music industry. Bringing together leading scholars in music artificial intelligence from around the world, as well as presidents and senior representatives of major music institutions across China, the forum aims to establish a high-level, interdisciplinary platform for international exchange and to promote the deep integration of music AI across industry, academia, research, and application.

会议信息

时间｜Time

2026年4月27日

April 27, 2026

地点｜Venue

中央音乐学院琴房楼演奏厅

Recital Hall, Practice Building, Central Conservatory of Music

指导单位｜Supervising Organization

中国文学艺术界联合会

China Federation of Literary and Art Circles

主办单位

｜Organizers

中国音乐家协会

中央音乐学院

China Musicians Association

Central Conservatory of Music

会议议程

（一）开幕式

Opening Ceremony

柯扬 Ke Yang跨界与重构：人工智能驱动的音乐新生态Cross-Boundary Integration and Structural Reconfiguration: A New Ecosystem of Music Driven by Artificial Intelligence刘忠心 Liu Zhongxin关于人工智能时代音乐教育与科技融合发展的几点思考Reflections on the Integrated Development of Music Education and Technology in the Era of Artificial Intelligence田彦 Tian Yan艺术与科技交叉融合的认知重塑与教育转型Cognitive Reshaping and Educational Transformation in the Intersection of Art and Technology陶陌 Tao Mo贯通科技人文，赋能人文湾区——探索新时代音乐与科技融合发展的“大湾区模式”Bridging Tech and Humanities to Empower a Humanistic Bay Area – Toward a “Greater Bay Area Model” for Music-Tech Integration in the New Era王瑞 Wang Rui守恒与流变：音乐与科技的不二法则Conservation and Transformation: The Fundamental Law of Music and Technology领导致辞Opening Remarks热拉尔·阿萨亚格Gérard Assayag共创模型、符号交互与赛博人类音乐实践：REACH 项目Cocreative Models, Symbolic Interaction, and Cyber-Human Musicianship: the REACH Project乔治·海杜Georg Hajdu谁在塑造谁？艺术家、工具与技术演进Who Shapes Whom? Artists, Tools, and Technological Evolution克瑞格·威尔Craig Vear基于“音乐实践”的协同创作：音乐人工智能需要以人为中心的方法Co-Creating Through Musicking (An Insider’s Perspective): Why We Need a Human-Centred Approach to Music-AI南周汉Juhan Nam人机音乐合奏：会聆听与演奏的自动钢琴Human-AI Music Ensemble: A Self-Playing Piano that Listens and Performs乔纳森·怀纳Jonathan Wyner艺术家中心视角下的人工智能：作为音乐想象之镜像、媒介与延伸The Artist at the Center: AI as Mirror, Instrument, and Extension of Musical Imagination徐帆Xu Fan从生成到协同：AI音乐中的艺术与技术如何共同演化From Generation to Collaboration: How Art and Technology Co-Evolve in AI Music学术主持人 Academic Host李小兵 Li Xiaobing

嘉宾介绍

Guest Profiles

*按会场演讲顺序

柯扬

Ke Yang

中央音乐学院

党委常委、副院长、教授、博士生导师

Member of the Standing Committee of the CPC Committee, Vice President of the Central Conservatory of Music, Professor, doctoral supervisor

中央音乐学院音乐美学博士，美国哥伦比亚大学音乐系访问学者，兼中国音乐美学学会、中国音乐评论学会理事。出版著作《有限的相对主义——论音乐的价值、质量及其评价》（独著），《现代西方音乐美学》（国家“十一五”规划教材、合著），《西方新音乐学背景下的音乐美学》（合著），《音乐鉴赏》（合著）；出版译著《音乐与社会学观察》（独译）、《音乐的意义与表现》（合译）。在《人民音乐》《中央音乐学院学报》等刊物发表各类文论30余篇。

Ke Yang is the Vice President and Professor of the Central Conservatory of Music holding a PhD in Music Aesthetics and being the doctoral supervisor. He is a visiting scholar in the Music Department at Columbia University, USA, and serves as a director of both Chinese Music Aesthetics Society and Chinese Music Criticism Society. His publications include Limited Relativism: On the Value, Quality, and Evaluation of Music (sole author), Modern Western Music Aesthetics (co-author, a national textbook for the 11th Five-Year Plan), Music Aesthetics in the Context of Western New Musicology (co-author), and "Music Appreciation" (co-author). He has also translated Music and the Sociological Gaze (sole translator) and Musical Meaning and Expression (co-translator). Ke Yang has published over 30 articles in journals such as People's Music, Journal of the Central Conservatory of Music and so on.

刘忠心

Liu Zhongxin

中国音乐学院

党委常委、副院长

Member of the Standing Committee of the CPC Committee, Vice President of the China Conservatory of Music

长期从事首都教育行政管理、党建与体育美育工作，熟悉国家及北京市宏观教育战略、体教融合与美育改革顶层设计，积极参与北京市重大教育政策制定，负责学校体育美育改革具体推进工作。专注于艺术院校发展战略研究，主持北京市课题两项，主编美育体育论文集三部，在《戏曲艺术》《北京教育》《中国校外教育》等发表论文十余篇。

Liu Zhongxin has long been engaged in educational administration, Party building, and the promotion of physical and aesthetic education in Beijing. He is well-versed in national and Beijing municipal macro-level education strategies, as well as the top-level design for the integration of sports and education and for aesthetic education reform. He has actively participated in the formulation of major education policies in Beijing and is responsible for the implementation of physical and aesthetic education reforms in Beijing’s schools at all levels.He focuses on research into development strategies for art academies, has presided over two Beijing municipal research projects, and has served as the chief editor of three volumes of collected papers on aesthetic and physical education. He has published over ten papers in journals including Chinese Theatre Arts, Beijing Education, and Afterschool Education in China.

田彦

Tian Yan

沈阳音乐学院

院长、党委副书记、教授、博士研究生导师

President and Deputy Secretary of the Party Committee of Shenyang Conservatory of Music, Professor, doctoral supervisor

男高音歌唱家、中宣部文化名家暨“四个一批”人才、中国音乐家协会第九届理事会理事、中国歌剧研究会副会长。历任中国歌剧舞剧院歌剧团团长，中国歌剧舞剧院党委委员、副院长，曾挂职国家大剧院艺术教育部副部长。曾主演《花木兰》《杨贵妃》《青春之歌》《原野》《木兰诗篇》《罗密欧与朱丽叶》等多部歌剧及音乐剧作品，在大型剧作项目中曾担任监制、策划与导演，多次受邀担任中宣部、文化和旅游部等相关评奖及赛事的评审专家。

Tian Yan, tenor, Cultural Master and Four Batches’ Talent of the Publicity Department of the CPC Central Committee, Council Member of the 9th Council of the Chinese Musicians Association, Vice Chairman of China Opera Research Society. He has served as Head of the Opera Troupe of the China Opera and Dance Drama Theatre, Member of the Party Committee and Vice President of the China Opera and Dance Drama Theatre, and Deputy Director of the Art Education Department of the National Centre for the Performing Arts on secondment. He has starred in many operas and musical works including Mulan, Yang Guifei, Song of Youth, The Savage Land, Mulan Psalm and Romeo and Juliet, and acted as supervisor, planner and director in large-scale theatrical projects. He has been invited many times as a judging expert for evaluation and competition events of the Publicity Department of the CPC Central Committee, the Ministry of Culture and Tourism and other authorities.

陶陌

Tao Mo

星海音乐学院

院长、党委副书记、教授、博士研究生导师

President and Deputy Secretary of the Party Committee of Xinghai Conservatory of Music, professor, doctoral supervisor

作曲家，教育部国家级特色专业建设点主持人，首批国家级一流本科专业建设点主持人，教育部高等学校评估专家，文化和旅游部国家艺术基金评审专家，欧洲文化首都项目特邀作曲家。广东省音乐与科技新兴特色学科带头人，华南地区音乐科技、现代器乐、爵士乐高等教育创办人。管弦乐作品《雨落庭间歌满楼》入选文化和旅游部首批中国“时代交响”计划；其著书《电脑音乐》作为近20年来全国相关专业最具影响力的教材之一，在全国高校广泛应用。

Tao Mo is a composer. He is the principal researcher of a national characteristic program recognized by the Ministry of Education and one of the first principal researchers of national first-class undergraduate programs. He serves as an evaluation expert for higher education institutions for the Ministry of Education, a reviewer for the China National Arts Fund under the Ministry of Culture and Tourism, and a specially invited composer for the European Capital of Culture projects. He is a leading scholar of emerging music and technology disciplines in Guangdong Province and the founder of higher education programs in music technology, modern instruments, and jazz in South China. His orchestral work "Rain Falls in the Courtyard, Songs Fill the Mansion" was selected for the first batch of China’s “Symphony of Era” program by the Ministry of Culture and Tourism. His book Computer Music: MIDI and Audio Application Techniques has become one of the most influential textbooks in the field over the past two decades and is widely used in universities across China.

王瑞

Wang Rui

浙江音乐学院

院长、党委副书记、教授

President, Deputy Party Secretary and Professor, Zhejiang Conservatory of Music

博士、博士生导师，兼任中国音乐家协会理事，浙江省音乐家协会主席，浙江省文史馆研究员，《音乐文化研究》主编等。主要学术领域为中国音乐史学、歌剧学理论、音乐形态研究等。先后主持国家社科艺术学重大项目《琴学文化体系研究》、上海市教育科研重大项目《歌剧学学科体系构建研究》《“音乐与舞蹈学”国际同行评估指标体系》以及浙江省新文科实验室“歌剧学实验室”等项目。

Wang Rui is a Ph.D. and doctoral supervisor. He serves as President and Deputy Secretary of the Party Committee of Zhejiang Conservatory of Music. He is also a council member of the Chinese Musicians’ Association, Chairman of the Zhejiang Musicians’ Association, a research fellow at the Zhejiang Provincial Institute of Culture and History, and Editor-in-Chief of Music and Cultural Studies. His primary academic fields include Chinese music history, opera studies theory, and music morphology. He has led several major research projects, including the National Social Science Fund Art Major Project A Study on the Cultural System of Qin Studies, the Shanghai Municipal Education Research Major Projects The Construction of the Disciplinary System of Opera Studies and An International Peer-Review Evaluation Index System for Music and Dance Studies, as well as the Zhejiang Province New Liberal Arts Laboratory project, the “Opera Studies Laboratory.”

热拉尔·阿萨亚格

Gérard Assayag

巴黎声学／音乐研究中心总监

Research director at Institut de recherche et de coordination acoustique/musique (IRCAM) in Paris

他在巴黎声学／音乐研究中心创立了“音乐表征”研究团队。该团队因在音乐计算科学与创造性人工智能领域的推进而享有国际声誉。他还曾多年担任IRCAM研究部门——音乐与声音科学技术实验室（STMS）的负责人。该实验室由IRCAM与索邦大学及法国国家科学研究中心（CNRS）联合开展。阿萨亚格的研究兴趣包括音乐计算机语言与算法、计算机辅助作曲（CAC）以及创造性人工智能。他是OpenMusic语言的创造者，而OpenMusic已成为计算机辅助作曲领域的全球标准之一。

Gérard Assayag is research director at Institut de recherche et de coordination acoustique/musique (IRCAM) in Paris, where he founded the Musical Representations team, renowned internationally for its advances in computational science of music and creative AI. He was for several years the director of IRCAM’s research department, the laboratory for Sciences and Technologies of Music and Sound (STMS) in association with Sorbonne University and France Science Foundation (CNRS). Assayag's areas of interest include computer languages and algorithms for music, computer-aided composition (CAC), and creative AI. He is the creator of the OpenMusic language, a global standard for CAC.

乔治·海杜

Georg Hajdu

德国汉堡音乐与戏剧学院利盖蒂中心主任、教授、作曲家、学者

Director of the Ligeti Center at the Hochschule für Musik und Theater Hamburg, Professor, composer and scholar

他长期致力于音乐、科技与跨学科艺术实践的融合研究，关注多媒体作曲、网络化音乐、生成式音乐系统与数字乐谱等方向。海杜早年在科隆学习分子生物学与作曲，后于美国加州大学伯克利分校完成博士学位，并与CNMAT保持紧密关联，是当代音乐科技领域具有代表性的学者与作曲家之一。

He leads the Ligeti Center and serves as the university’s Commissioner for Research and Transfer. His work focuses on the intersection of music, technology, and interdisciplinary artistic practice, with particular interests in multimedia composition, networked music, generative systems, and digital score environments. Hajdu studied molecular biology and composition in Cologne and later earned his PhD at the University of California, Berkeley, in close connection with CNMAT.

克雷格·维尔

Craig Vear

英国诺丁汉大学音乐与计算机科学教授

Professor of Music and Computer Science at the University of Nottingham

他在音乐学科与Mixed Reality Lab（混合现实实验室）开展跨领域研究与教学工作。维尔教授在国际上最具代表性的研究领域，是围绕Digital Score（数智乐谱/数字乐谱）所展开的理论与实践探索。他著有The Digital Score: Musicianship, Creativity and Innovation（Routledge, 2019）一书，系统讨论了数字技术如何重塑乐谱的形态与功能，并进一步改变作曲、记谱、即兴与现场表演之间的关系。他同时担任欧洲研究理事会（ERC）资助项目DigiScore——“investigating the technological transformation of the music score”的首席研究员。

He is Professor of Music and Computer Science at the University of Nottingham, with appointments spanning music and the Mixed Reality Lab. Professor Vear is best known internationally for his research on the digital score and its implications for contemporary musicianship, creativity, and performance. He is the author of The Digital Score: Musicianship, Creativity and Innovation (Routledge, 2019), a major study examining how digital technologies are reshaping the musical score and expanding the relationships among composition, notation, improvisation, and live performance.Through his creative research, publications, and institution-building, Craig Vear has become one of the leading voices in contemporary debates on digital scores, music technology, and the future of musical practice. He is also Principal Investigator of DigiScore—investigating the technological transformation of the music score—an ERC Consolidator Grant project funded by the European Research Council under Horizon 2020, running from 1 October 2021 to 30 September 2026.

南周汉

Juhan Nam

韩国科学技术院（KAIST）教授、文化科技研究生院音乐与音频计算实验室主任

Professor at the Korea Advanced Institute of Science and Technology (KAIST), Director of the Music and Audio Computing Lab at the Graduate School of Culture Technology

他的研究聚焦于音乐信息检索、音频信号处理及人工智能音乐应用等。他同时担任Sumi Jo表演艺术研究中心主任，致力于与艺术家协作开发面向音乐表演与教育的创新技术。他于斯坦福大学计算机音乐与声学研究中心（CCRMA）获音乐博士学位，在开启学术生涯之前，他曾任职于英昌乐器（Young Chang / Kurzweil），负责合成器和数码钢琴的研发工作。他亦担任第26届国际音乐信息检索会议ISMIR 2025主席。

His research focuses on music information retrieval, audio signal processing, and AI-based music applications. He also serves as the Director of the Sumi Jo Performing Arts Research Center, fostering collaborations with artists to develop innovative technologies for music performance and education. He received his Ph.D. in Music from Stanford University, where he studied at the Center for Computer Research in Music and Acoustics (CCRMA). Before his academic career, he worked at Young Chang (Kurzweil), developing synthesizers and digital pianos. He also was the General Chair of the 26th International Society for Music Information Retrieval Conference (ISMIR 2025).

乔纳森·怀纳

Jonathan Wyner

伯克利音乐学院音乐制作与工程教授、伯克利新兴艺术技术实验室（BEATL）艺术科技项目负责人Professor of Music Production and Engineering, Head of Artistic Technology Initiatives

他同时任教于Berklee Online，并担任M Works Studios首席工程师。

作为活跃于音乐制作、音频工程、教育与新兴技术交叉领域的重要专家，他长期推动以艺术家为中心的音频技术与创作工具发展。他集音乐家、制作人、录音及母带工程师、教育者与技术顾问于一身，四十余年来参与完成超过5000张录音作品的制作与母带处理，与众多顶尖艺术家合作。著有音频工程领域重要著作《音频母带处理：核心实践》。曾任国际音频工程学会（AES）主席，并获授AES Fellow会士。

He also teaches for Berklee Online and serves as Chief Engineer at M Works Studios. As a leading figure working at the intersection of music production, audio engineering, education, and emerging technologies, he has long been committed to advancing artist-centered audio technologies and creative tools. He is a musician, producer, recording and mastering engineer, educator, and technology consultant. Over the past four decades, he has contributed to the production and mastering of more than 5,000 recordings and has collaborated with numerous toptier artists. He is the author of the influential audio engineering book Audio Mastering: Essential Practices. He previously served as President of the Audio Engineering Society (AES) and was named an AES Fellow.

徐帆

Xu Fan

Suno软件工程师

Software Engineer at Suno

长期从事软件系统、机器学习与智能音乐相关技术开发。加入Suno之前，他曾在Meta参与AR/VR平台工程工作，也曾于Hewlett Packard Enterprise从事数据库驱动与系统开发，并曾在北京大学微电子学研究所担任研究助理。徐帆拥有东北大学电子与计算机工程硕士学位及北京大学电子工程与计算机科学学士学位，在软件工程、机器学习、网络系统与音乐生成技术交叉领域具有丰富经验。

He is working at the intersection of software systems, machine learning, and AI-driven music technology. Before joining Suno, he worked at Meta on AR/VR platform engineering and previously served as a software engineer at Hewlett Packard Enterprise, focusing on database drivers and system development. He also worked as a research assistant at the Institute of Microelectronics, Peking University. Xu holds an M.S. in Electrical and Computer Engineering from Northeastern University and a B.S. in Electrical Engineering and Computer Science from Peking University.

学术主持人

Academic Host

张萌

Zhang Meng

中国文联音乐艺术中心副主任，《人民音乐》杂志副主编

Deputy Director of the Music Art Center of the China Federation of Literary and Art Circles, and Deputy Editor-in-Chief of People’s Music magazine

张萌，博士。他同时担任北京音乐协会副主席、中国文艺评论家协会理事，曾担任中宣部“五个一工程”奖评委，国家艺术基金评审委员及中央电视台“中国器乐大赛”评委。毕业于中央音乐学院，代表作包括《悲玄之音——论日本邦乐的审美特征》《武满彻音乐创作的民族音乐学分析》等论著。2012年起至今，担任中国文联《中国艺术年度发展报告（音乐分报告）》的主笔撰写工作。

Zhang Meng, PhD. He also serves as Vice Chairman of the Beijing Musicians Association and a Council Member of the China Literature and Art Critics Association. He has served as a jury member for the "Five-One Project" Award, a member of the National Arts Fund Review Committee, and a judge for the CCTV Chinese Instrumental Music Competition. A graduate of the Central Conservatory of Music, his representative works include The Sound of Yūgen: On the Aesthetic Characteristics of Japanese National Music and An Ethnomusicological Analysis of the Musical Compositions of Toru Takemitsu. Since 2012, he has been the principal writer of the Music Section of the China Art Annual Development Report published by the China Federation of Literary and Art Circles.

Li Xiaobing

中央音乐学院音乐人工智能系主任、教授、博士生导师

Director of the Department of Music Artificial Intelligence at the Central Conservatory of Music、Professor and Doctoral Supervisor

中国计算机学会理事、计算艺术分会主任，中国人工智能学会会士、艺术与人工智能专委会主任。国家哲学社会科学领军人才，中宣部“四个一批人才”，享受国务院政府特殊津贴专家，国家社科重大项目首席专家，“全国高校黄大年式教师团队”负责人。

作曲博士，毕业于中央音乐学院作曲系，师从吴祖强先生。音乐创作涵盖多种体裁与风格，部分作品具有广泛社会影响。

Li Xiaobing serves as a Council Member of the China Computer Federation (CCF) and Chair of its Computational Art Branch, as well as a Fellow of the Chinese Association for Artificial Intelligence (CAAI) and Chair of its Art and Artificial Intelligence Commission.

He is recognized as a National Leading Talent in Philosophy and Social Sciences, a recipient of the Central Propaganda Department’s “Four Kinds of Talents” award, an expert entitled to special government allowances from the State Council, Principal Investigator of major national social science projects, and leader of the “National Huang Danian-style Faculty Team” in higher education.

Li Xiaobing holds a Doctor of Composition degree from the Composition Department of the Central Conservatory of Music, where he studied under Professor Wu Zuqiang. His compositional work spans a wide range of genres and styles, with some works achieving broad social impact.

供稿：音乐人工智能与音乐信息科技系、国际交流处

设计：董人榕